The Material Realm is composed of vibrations and wavelengths referred to as Primordos. When Primordos interacts with our sense organs, we experience Sentience, which can be measured as Quanta (a primitive measurement of Function) and Qualia (a primitive measurement of Sentiment).

Humans develop Consciousness, allowing for Sentient experiences independent of the senses, where Quanta can be expressed through Reason and Qualia evolves into Intuition, leading to Contemplation and the formation of Ideas. These Ideas, comprised of Logic and Imagination, are forms of energy that can be transmitted into the Physical Realm through symbols and sound, with intent influenced by the Quanta/Qualia polarity.

These transmitted Ideas, as energy, eventually reach a level of resonance, similar to how a violin resonates with the frequencies in its environment. This blending of vibrations between the environment and the observer, based on their “similarity” in density, shape, and proportions (though this similarity may not always be obvious), is termed Aesthetic Resonance.

Aesthetic resonance is the similarity of vibrations amongst different bodies that makes art possible. It occurs when the vibrations and wavelengths of the surrounding environment and a subjective observer are aligned and harmonious, leading to consonance which typically produces pleasure. Conversely, when the energy between the subject and the environment are not in harmony, it produces dissonance, often resulting in displeasure.

The interpretation of art and its effects on the observer are thus seen as a complex conversion of Primordos into Ideas, which are then transmitted back into the environment, altering the Primordos and shifting the resonance of an area, perpetuating the process. Over time, sentient beings tend to locate themselves near physical objects vibrating at an Aesthetic Resonance that provides the highest levels of Consonance, leading to the creation of culture and art that reflects this resonance. This continuous process of altering the Aesthetic Resonance of the environment continues as long as there are subjective observers to interpret Primordos.

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